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A zombie outbreak has fallen upon the land in this reimagining of Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet (Lily James) is a master of martial arts and weaponry and the handsome Mr. Darcy (Sam Riley) is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield in order to conquer the undead once and for all.
Tên phim
|
Pride and Prejudice and Zombies |
Thời lượng |
146 minute |
Năm sản xuất |
2016-02-04 |
Trạng thái |
ASF 1080p
WEBrip |
Thể loại |
Romance, Horror, Comedy, Thriller |
Ngôn ngữ |
English |
Diễn viên |
Devonne
R.
Shadman, Miranda O. Mawadda, Solenne A. Auriol |
[HD] Xem Tải xuống Pride and Prejudice and Zombies 2016 Phim trực tuyến đầy đủ
Phim ngắnChi tiêu : $516,165,432
Doanh thu : $872,232,479
Thể loại : Cô lập - Ghen tị Dân tộc học , Đạo đức - Tiểu sử , Chiến tranh - Tuyệt vời , Cô gái - Tuyên truyền
Nước sản xuất : Gambia
Sản xuất : Katahdin Sản xuất
Zombie Wikipedia den frie encyklopædi ~ Det er ikke altid zombiefilm bare drejer sig om rædsel og skræk George A Romero bruger fx zombiere som metafor for at vise den virkelige er fx omdrejningspunktet i Night of the Living Dead hvor zombierne bruges til at vise hvor dårlig mennesker samarbejder i pressede situationer og at det er spændinger og splid imellem mennesker som forårsager drabene og ikke zombierne
Stolthed og fordom film fra 2005 Wikipedia den frie ~ Stolthed og fordom er en film fra 2005 om kærlighed og familierelationer i det 19 å bygger på en roman af samme navn forfattet af Jane Austen som udkom i 1813 Historien omhandler Elizabeth Bennet der har fire søstre og hendes families anstrengelser for at få døtrene bortgiftede hvilket var overlevelsesgrundlag på denne tid
Matt Smith Wikipedia den frie encyklopædi ~ Matthew Robert Smith født 28 oktober 1982 er en engelsk skuespiller som er mest kendt for at spille den Den elvte Doktor i den britisk science fictionserie Doctor den rolle modtog han i 2011 en BAFTA Awardnominering en SFXaward i 2012 og to National Television Awards i henholdvis 2012 og 2014 Smith havde oprindeligt sat sig for at blive professionel fodboldspiller men måtte
Stolthed og fordom Wikipedia den frie encyklopædi ~ Advarsel Handling afslutning ogeller plot afsløres i det følgende Handlingen foregår i Hertfordshire i 1800tallet og omhandler en typisk engelsk middelklassefamilie med fem giftefærdige døtre hovedpersonen er den næstældste datter Elizabeth Især Mrs Bennets vil gerne have sine døtre gift med med rige mænd som pigernes fætter Collins der står til at skulle arve deres gård
Jane Austen Wikipedia den frie encyklopædi ~ Liv Jane Austen blev født ved Basingstoke i England Hun var det syvende barn af sognepræst George Austen 17311805 og hustru Cassandra 17391827 Hun voksede op og levede i det samme landlige middelstandsmiljø som hun beskriver i sine romaner og hun havde fra barnsben adgang til familiens bibliotek der gav hende kendskab til megen og varieret litteratur
SkabelonStolthed og fordom Wikipedia den frie encyklopædi ~ Pride and Prejudice and Zombies 2016 Tvserier Stolthed og fordom 1958 Stolthed og fordom 1967 Stolthed og fordom 1980 Trishna 1985 Stolthed og fordom 1995 Lost in Austen 2008 Death Comes to Pemberley 2013 Kontrollér at de artikler som linkes til har denne skabelon
Bridget Jones dagbog film Wikipedia den frie encyklopædi ~ Pride and Prejudice and Zombies 2016 Tvserier Stolthed og fordom 1958 Stolthed og fordom 1967 Stolthed og fordom 1980 Trishna 1985 Stolthed og fordom 1995 Lost in Austen 2008 Death Comes to Pemberley 2013 Stub Denne artikel om britiske film er kun påbegyndt Du kan hjælpe Wikipedia ved at
One thing is for certain: no one can accuse director Burr Steers’s off-kilter version of novelist Jane Austen’s lyrical literary landscape **Pride and Prejudice** as being deemed solely melancholy and manipulative. The challenge of presenting a sophisticated and sudsy exposition while incorporating the ghoulish gimmicky of zombies to elevate the surrealism and cynicism of the British-based costume drama is an ambitious taking to say the least. Thankfully, Steers delivers a halfway decent piercing period piece that accentuates both the elegance and eeriness of Austen’s blossomed universe of early 19th century English femininity dripping with refined defiance and desire. Hence, Steers’s somewhat choppy but inspired **Pride and Prejudice and Zombies** provides an imaginative and slightly insane spin on the austere exuberance of Austen’s classic romancer highlighted with the butt-kicking antics of the bombastic Bennett sisters.
There is no doubt that movie and television audiences throughout the years have been subjected to the omnipresence of the Jane Austen Experience through countless interpretations of her treasured **Pride and Prejudice** artistic works. For the most part, the radiance of Pride and Prejudice has always maintained its ravishing romanticism in the various incarnations showcased. However, Steers looks to promote a bloody-thirsty blueprint and enhance the urgent sense of Austen’s femme fatale movement–in this case unite the Bennett brood and arm them with the alertness of sinister-made sisterhood. Instinctively, the premise for **Pride and Prejudice and Zombies** gives off a bizarre but refreshing vibe when distributing its wacky brand of subversive feminine liberation.
Austen heroine Elizabeth Bennett has always been possessed in her personalized convictions especially when it came to love and stability. Nevertheless, **Zombies’** Liz (Lily James) has a mission in mind that does not necessarily involve finding that ideal suitor of choice. In this case, Elizabeth and her sisters Jane, Mary, Kitty and Lydia (Bella Heathcoate, Mille Brasy, Suki Waterhouse and Ellie Bamber) are the sisterly slayers trained to eradicate the unwanted walking dead. The Bennett beauties, all skilled at exceptional swordplay courtesy of intensified training in China, are looked down upon within their elite social circles. Furthermore, the concern over the feisty Elizabeth and her siblings finding their soulmates rests on the shoulders of their worrisome parents Mr. and Mrs. Bennett (Charles Dance and Sally Phillips). What is to become of the vast Bennett estate should their offspring not find the eligible companions to continue the bloodline? The question remains: will the bashing Bennett babes go down in family history as courageous zombie huntresses or suffer the societal humiliation as available spinsters untouched?
Elizabeth’s preference is to be vigilant in her quest to zap out the zombie presence whenever possible as opposed to obsessing over whether she will hook the grand love of her life. Still, the very idea of meeting Colonel Darcy (Sam Riley) at one of the festive balls may have at least humbled the combative Elizabeth a bit and had her entertain the notion of embracing a romantic feeling. Unfortunately duty calls and the agenda for terminating the pesky zombies as they invade the region is the top priority for Bennett brigade.
Actually, **Pride and Prejudice and Zombies** is a frenetic fable that solidly works because it is able to competently marry two ubiquitous genres–zombie B-movies with prim and proper Austen period piece adaptations–and come up with a quirky and contentious commentary on female-oriented resistance and rage. Steers rips into the convention of womanhood wonderment with a horror flick romancer that has its sheer of nuanced nerve and chilly-minded charm. The gory shenanigans and showy execution of Zombies’ cinematic makeup from Remy Adefarasin’s luscious cinematography to David Warren’s production design and Julian Day’s costume designs all mesh with noted symmetry. The balance of wit, suspense, terror and tirade as the Bennett bunch and their suitors engage in swagger as they eliminate the detestable zombies feels delectable in manufactured naughtiness.
The performances are steady and give substance to the welcomed wackiness that uncannily defines this effectively compelling but twisted treat to Austen’s pretty protagonists dressed up in gorgeous gowns that conceal their blood-laced daggers. As the lead Bennett sister, James is rather engrossing as the impulsive sword-swinging sass as her unique spin on Austen’s curly-haired creation is as credible and creative as say Keira Knightley’s stamp on the Elizabeth Bennett role. Although rollicking in a zombie B-movie without relying too much on the crutch of high stakes camp, James and her supporting players are quite poised to go with the flow based on what the unpredictable material hands them.
The bottom line is that **Pride and Prejudice and Zombies** is a serviceable spectacle that dares to weave a Victorian-cultured social class romance yarn with an undead creepfest while finding a common ground in the hidden psyche of the young woman’s destined determination for self-discovery. Perhaps introducing the less literate crowd to Jane Austen’s brand of high class sensibilities through the battling Bennetts during the onslaught of an English countryside zombie invasion would make other future **Pride and Prejudice** installments feel more renewed and receptive.
**Pride and Prejudice and Zombies** (2016)
1 hr, 49 mins.
Starring: Lily James, Sam Riley, Jack Huston, Bella Heathcoate, Douglas Booth, Matt Smith, Charles Dance, Sally Phillips, Suki Waterhouse, Ellie Bamber, Millie Brady
Directed by: Burr Steers
MPAA Rating: PG-13
Genre: Horror and Fantasy’Romance and Suspense
Critic’s rating: ** 1/2 stars (out of 4 stars)
(c) Frank Ochieng 2016
Better than it had any right being, but still not very good.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**From loathing to romance and zombie hunting!**
I did not know there was a parody novel of Jane Austen's 200 years old classic. This was based on that, a multi-starrer film, but the lack of star value let down the film. This is the film with a familiar plot, in addition to that zombies were there, but that was not enough. The big names from the cast would have pulled the film out of the box office disaster if it had one or two. But still I think this film was okay, an acceptable with awesome production and performances.
It ended like there will be a sequel, but now I don't think there's going to be one. The story was kind of predictable. Well, I did predict, particularly the character Wickham. Though I was more curious about the Zombies, like how it was going to be used in the narration. I must say, they were excellent. I mean they were not given any big preference, but theirs part indeed helped to build a nice plot. Pretty well composed stunts. I mean carefully, without strong blood and gore, so they got PG13 and warning for the violences.
I think the film critics overreacted like usual. They're like the sheep herds, they follow one another and given verdict for this as a bad flick. But as a film fanatic, I don't think it is worth neglecting, especially if you are a fan of the original story. In the todays world, the critics are a bunch of circus clowns. So I hope you make a right choice on this, not because of me or the critics, if you haven't seen it yet.
_6.5/10_
âm nhạc là gì Pride and Prejudice and Zombies phim oan gia ngõ hẹp Bloody lovely. tình yêu và chap 2 2016-02-04 phụ tùng xe máy Natalie Portman, John Papsidera, Remi Adefarasin, Sean McKittrick, Des Hamilton, Marc Butan, Jane Austen, Padraic McKinley, Steve Carter, Julian Day sủng phim 30 chưa phải là tết trường giang sql là gì điện thoại lớn nhất thế giới elixir iceland trinh trần là ai r&b là nhạc gì Pride and Prejudice and Zombies trường ca Bloody lovely. các khẩu trang y tế 2016-02-04 game chiến thuật Natalie Portman, John Papsidera, Remi Adefarasin, Sean McKittrick, Des Hamilton, Marc Butan, Jane Austen, Padraic McKinley, Steve Carter, Julian Day nhà máy sản xuất nhôm định hình tại việt nam rock and roll từ dịch sang tiếng anh cách tạo 1 lập trình nhạc opera phim ôi hoàng đế bệ hạ của ta thuyết minh phim 7 năm vẫn ngoảnh về phương bắc.
